FILM LEXICON
ANGLE
OF ILLUMINATION
AXIS
OF ACTION
BACKLIGHTING
BLOCKING
CAMERA
ANGLE
CAMERA
DISTANCE
CAMERA
MOVEMENT
CANTED
FRAME
CLASSICAL
EDITING
CLOSE-UP
CONTINUITY
EDITING
CONTINUITY
SYSTEM
CRANE
SHOT
CROSSCUTTING
AND PARALLEL EDITING
CUT
DEEP
SPACE/ DEEP FOCUS/ DEPTH OF FIELD
DEPTH
OF FIELD
DIEGESIS
DIEGETIC
INTERNAL SOUND
DIEGETIC
OFFSCREEN SOUND
DIEGETIC
ONSCREEN SOUND
DIRECTION
OF LIGHTING
DISSOLVE
DOLLY
SHOT
EDITING
ELLIPSIS
or ELLIPTICAL EDITING
ESTABLISHING
SHOT
EXPRESSIONISM
EXTREME
CLOSE-UP
EXTREME
LONG SHOT
EYELINE
MATCH
FADE
FILL
LIGHT
FRAMING
FRONTAL
LIGHTING
FULL
FACE SHOT
GRAPHIC
MATCH
HAND-HELD
SHOT
HEIGHT
OF FRAMING
HIGH
ANGLE SHOT
HIGH/LOW
CONTRAST LIGHTING
HIGH-KEY
LIGHTING
HOLLYWOOD
EDITING
INTERNAL
FRAMING
JUMP
CUT
KEY
LIGHT
LIGHTING
LIGHTING
SOURCE
LONG
SHOT
LONG
TAKE
LOW
ANGLE SHOT
LOW
CONTRAST LIGHTING
LOW-KEY
LIGHTING
MATCH
ON ACTION
MEDIUM
CLOSE-UP
MEDIUM
LONG SHOT
MEDIUM
SHOT
MISE-EN-SCENE
NON-DIEGETIC
INSERT
NON-DIEGETIC
SOUND
OFFSCREEN
SPACE
180
DEGREE RULE
OVERHEAD
SHOT
OVER-THE-SHOULDER
SHOT
PAN
PARALLEL
EDITING
PLAN
AMERICAIN
POINT
OF VIEW SHOT
QUALITY
OF ILLUMINATION
REACTION
SHOT
RE-ESTABLISHING
SHOT
REFLEXIVITY
REVERSE
ANGLE SHOOTING
SEQUENCE
SHOT
SHOT
SHOT/REVERSE
SHOT
SHOT
SCALE
SHOT
TRANSITIONS
SIDE
LIGHTING
SIDE
VIEW
SOUND
BRIDGE
SOUND
- SPATIAL RELATIONS TO IMAGE
STRAIGHT-ON
SHOT
SWISH
30
DEGREE RULE
THREE-POINT
LIGHTING
THREE-QUARTER
SHOT
THREE-QUARTER
VIEW
TILT
TOP
LIGHTING
TRACKING
SHOT
TRUNCATION
TWO
SHOT
UNDERLIGHTING
VOICE-OVER
WHIP
PAN
WIPE
ZOOM